Saturday, April 26, 2014

IS STEALING PEOPLE WRONG

   
When I was a teenager I was a great orchestral conductor. I gave many concerts of all the notable Russian composers: Tchaikovsky, Rimsky Korsakov, Stravinsky; but my favourite was Prokofiev, particularly his lively and cheeky Classical Symphony, a wonderful parody on Joseph Hayden. I knew the score inside out; or at least I knew how to wave my arms about and exactly where to bring in the woodwinds and the cellos. I had conducted this work many times in the lounge room when my parents were out, accompanied by three large 78 records going full tit. The applause was overwhelming. I took many bows, not forgetting to acknowledge the members of the orchestra.
In my later years I have gone off most classical music – except for some old favourites. I’ve definitely given up the baton, perhaps because I now have more of my own identity; I don’t have to steal one as I did back then when I was less than nobody. It was so much better to be someone else.
Is it a question of growing up, of absorbing role models? Do we target someone who we will later emulate? No, I think one steals celebrity, of being someone who is the centre of adulation. Its about being adored. We ardently imagine what it must be like to be that loved. The actor, singer or star knows this and pretends to live up to our image, wearing fabulous clothes and sporting a fabulous partner. The more adulation they get, the more they get.
We don’t envy them simply because we identify with them. Every little girl at the roadside of the Royal Tour is Princess Kate with her Prince William – and not less the ecstatic ladies who wait with her, trembling with excitement.
We underestimate the power of the imagination, how it can transform who we are. Naturally, no one walks around declaring that they are Princess Kate. Stealing someone is much more subtle than that. It’s secret. It’s stored away in the hidden places of the heart, but it can transform the feeling of the day.


contact: stanrich@vodafone.co.nz
(03) 981 2264



contact: stanrich@vodafone.co.nz
(03) 981 2264



HUMORESQE

          Don Quixote del la Mancha – the archetypal absurd hero
   
HUMORESQUE 
My bad mood transforms into humour when it becomes aware of itself.* When my mood becomes conscious of itself I can’t help seeing the funny side of it. I am a little bit absurd. A sense of humour dissolves my serious self-regard. As the ancient meaning suggests, humour is moist. A sense of humour softens my rigidity with amusement – I laugh at myself. The self importance, the posturing and domination of my mood becomes ludicrous.
Googling ‘laughing at funerals’ produces about 8 million hits. Apparently it’s a distressingly common experience. There are many theories about it: relief of tension, hysteria, denial of the loss etc. My theory is that perhaps it serves the same function that all humour does – it blows a hole in seriousness. Funerals become ridiculous.
 I did Classics at university and I remember a special tutorial where we spent a whole afternoon reading aloud, in turns, from Homer’s epic poem The Iliad. The Greek heroes of the story have monstrously overblown egos; and, in the battle scenes, the gods take sides and urge the heroes on. Great deeds and displays of courage are graphically rendered with bodies sliced and chopped in combat, urged on by the gods of Olympus. Real blood and guts with cosmically momentous consequences. Towards the end of these tutorial readings I remember one student got the giggles. Very soon the whole class went to pieces. Overblown heroic egos are idiotically funny. Not quite what the great classic of western literature was meant to inspire.
When, like don Quixote, I take my heroic suffering seriously, I’m already in deep trouble.  So the whole question is how to change a serious mood into a humour. I wont do it by trying to understand it. I have no real rationale for my mood. I should never try to explain it. To do so would be to reveal my absurdity without it being funny. Explanations are a bottomless pit. You can never reach the end. Oh yes, I was certainly angry as a child because things weren’t right. But there must be a reason why I have held on to this feeling for so long. Why would that be? Understanding always needs something else to explain the last term explained. In getting a hold of myself, ‘understanding’ is the wrong tool.  The closest I get to myself is getting what my mood is like.
Seems strange to suggest that I can be ignorant of what my mood is like. I mean ‘like’ not in the analogical, comparative, form of the expression, (i.e. similar to), but the experiential form, as in “no one knows what it is like to be me”. In this latter sense it can be true that I do not know what my mood is like. I have never really experience it. I have been it, but I have never experienced it.
To change a mood into a humour is to grasp what the mood is like; and the most useful way of doing this is what we know in person-centred therapy as ‘reflection’. If I can reflect another’s mood, if I can imaginatively enter into it, if I can show the other person I know what his mood must be like, what it must feel like, what its implications are – then, when he sees his reflection, he can begin to grasp what it is like himself. In the earlier days of counselling ‘reflection’ was done verbally and this is still the most useful. But I have learned many times over the years that it can be enough to imaginatively grasp what it must be like for the other person. Nothing is said, yet somehow telepathically they get it. So often I have been a silent reflector and it has worked.  Or perhaps it’s that if I really get what their mood is like, whatever comes out of my mouth is an accurate reflection.
That’s in therapy, but how do you turn your own mood into a humour on your own? Very tricky! How do you get what your own mood is like? Obviously by self-reflection. When you ask yourself, ‘what’s the matter with me’, you can get it for a flash – grasping your mood by the tail, actually experiencing it, before it slithers away. There I am … swishhhh. I get what its like before the recognition slips through the floorboards. I have to be real quick.
What do you do when you’ve got it?
Well, nothing. Getting what its like is all you need.
The recognition is instantaneous – then gone.
Do that a couple of times and you’ll be in a better humour.
  
*     I realise I am redefining ‘humour’, coming from
       from medieval physiology: i.e. the four humours
or body fluids. But I am also using the other meaning
of ‘humour’,  i.e. a funny or amusing quality




contact: stanrich@vodafone.co.nz
(03) 981 2264